Syniks
15-11-2005, 19:56
Probably the best discussion of the Paris Debacle I've read yet. (Long, with salient snips & link at the end)
<Snip> the true international template of the French riots has been missed by both the assimilationists and the clash-of-civilizationists. Instead, the model was described more than 40 years ago, in a popular book that has never been fully appreciated as a political prophecy.
What are the distinguishing features of these riots? They are, as Olivier Roy notes in his recent New York Times argument for assimilation, overwhelmingly the work of young, male layabouts who are poor but not particularly uncomfortable. The rioters may be attracted to an extreme version of their parents' religion (although there's been precious little evidence of that), but the central characteristic so far has been a marked disintegration of parental influence.
Most intriguingly, the rioters and their online supporters are employing something more than merely the hip slang of those crazy kids. A fairly new combination of bad French, borrowed English and Arabic words, verlan, (hiphop slang in which syllables in existing French words are reversed to produce a completely new word), and (in written language) nearly phonetic spelling, the argot is a key to understanding the society of the riots. Some examples: Cops are referred to as Schmits (supposedly a reference to the Nazi occupation of France), and a brouhaha in the Ile de France is called a hagra party, with "hagra" meaning "contempt" or "humiliation."
So you've got underemployed but well fed kids with plenty of time on their hands, the depraved indifference of a welfare state that usurps the role of parents but provides no useful structure for the youth, a housing-project culture that sees itself (not without reason) as a defenseless ward of the state, politicians who veer between mealy-mouthed coddling of sociopaths and vicious denunciation of people with legitimate grievances, and kids who react to it all with theatrical violence. Clearly, the last century's great prophetic novel was not George Orwell's 1984 but Anthony Burgess' A Clockwork Orange.
<snip bibliophile bits>
What makes Alex an engaging narrator, though, is not just his linguistic invention or the mordant wit of his observations, but that he harbors no illusions about the world he lives in—an overwhelmed, politically calcified welfare state where teenagers menace the streets when they're not being shuffled between public schools and juvenile detention centers. From page one, Alex recognizes a central fact about the state that provides his food, shelter, schooling, and jail time: The people in charge don't give a crap whether he lives or dies. They don't even care, really, whether he commits crimes. They just want to make sure he doesn't cause them trouble.
<snip>
You could hear echoes of that despair in recent weeks, as liberals expressed surprise at the burning of public schools and civic centers. After all, why would these crazy kids destroy the very bounty that the state has provided for them? Burgess' supreme insight was that, despite the popularity of the phrase "grinding poverty," poverty in a modern state is almost never grinding. One of my first reactions, when watching the Kubrick movie in high school, was to envy Alex the vast amount of leisure time his truant lifestyle seemed to afford him. What drives the rioters in France may be Islam, it may be a lack of opportunity, or the disrespect of the wider culture, or alienation from the keepers of "Gallic pride" (whatever that is). It's probably some combination of all those things, and a few others. The one thing that definitely isn't driving any of the rioters is an empty stomach.
The clash-of-civilizationists have one important point: The London bombers, the murderers of Theo van Gogh, and the banlieu rioters are all Muslims, and it's vain to deny this connection. (Then again, it's not clear that anybody is denying it: After about the fiftieth media story berating the media for ignoring the story, I'm starting to smell a rat.)
But there is an even clearer pattern of a welfare structure that sings the praises of the nation while discouraging recipients from feeling any connection to the nation—a one-size-fits-all style of governance that cultivates, if it doesn't actually breed, anti-social behavior. The French government makes a particularly choice target for schadenfreude: With one hand it fails to make cité residents to feel like full citizens (by, for example, ensuring an Arabic-sounding name is not a barrier to a good job), and on the other it enforces fake national unity on pointless matters (by banning headscarves in public schools). But the pattern repeats itself everywhere the state provides for the basic needs of its outsider groups while standing in the way of their pursuit of happiness.
<snip> http://www.reason.com/links/links111405.shtml
(edit) the links within the linked article are really interesting too - esp. the one on Clockwork Orange style neuro-rehabilitation.... :eek:
<Snip> the true international template of the French riots has been missed by both the assimilationists and the clash-of-civilizationists. Instead, the model was described more than 40 years ago, in a popular book that has never been fully appreciated as a political prophecy.
What are the distinguishing features of these riots? They are, as Olivier Roy notes in his recent New York Times argument for assimilation, overwhelmingly the work of young, male layabouts who are poor but not particularly uncomfortable. The rioters may be attracted to an extreme version of their parents' religion (although there's been precious little evidence of that), but the central characteristic so far has been a marked disintegration of parental influence.
Most intriguingly, the rioters and their online supporters are employing something more than merely the hip slang of those crazy kids. A fairly new combination of bad French, borrowed English and Arabic words, verlan, (hiphop slang in which syllables in existing French words are reversed to produce a completely new word), and (in written language) nearly phonetic spelling, the argot is a key to understanding the society of the riots. Some examples: Cops are referred to as Schmits (supposedly a reference to the Nazi occupation of France), and a brouhaha in the Ile de France is called a hagra party, with "hagra" meaning "contempt" or "humiliation."
So you've got underemployed but well fed kids with plenty of time on their hands, the depraved indifference of a welfare state that usurps the role of parents but provides no useful structure for the youth, a housing-project culture that sees itself (not without reason) as a defenseless ward of the state, politicians who veer between mealy-mouthed coddling of sociopaths and vicious denunciation of people with legitimate grievances, and kids who react to it all with theatrical violence. Clearly, the last century's great prophetic novel was not George Orwell's 1984 but Anthony Burgess' A Clockwork Orange.
<snip bibliophile bits>
What makes Alex an engaging narrator, though, is not just his linguistic invention or the mordant wit of his observations, but that he harbors no illusions about the world he lives in—an overwhelmed, politically calcified welfare state where teenagers menace the streets when they're not being shuffled between public schools and juvenile detention centers. From page one, Alex recognizes a central fact about the state that provides his food, shelter, schooling, and jail time: The people in charge don't give a crap whether he lives or dies. They don't even care, really, whether he commits crimes. They just want to make sure he doesn't cause them trouble.
<snip>
You could hear echoes of that despair in recent weeks, as liberals expressed surprise at the burning of public schools and civic centers. After all, why would these crazy kids destroy the very bounty that the state has provided for them? Burgess' supreme insight was that, despite the popularity of the phrase "grinding poverty," poverty in a modern state is almost never grinding. One of my first reactions, when watching the Kubrick movie in high school, was to envy Alex the vast amount of leisure time his truant lifestyle seemed to afford him. What drives the rioters in France may be Islam, it may be a lack of opportunity, or the disrespect of the wider culture, or alienation from the keepers of "Gallic pride" (whatever that is). It's probably some combination of all those things, and a few others. The one thing that definitely isn't driving any of the rioters is an empty stomach.
The clash-of-civilizationists have one important point: The London bombers, the murderers of Theo van Gogh, and the banlieu rioters are all Muslims, and it's vain to deny this connection. (Then again, it's not clear that anybody is denying it: After about the fiftieth media story berating the media for ignoring the story, I'm starting to smell a rat.)
But there is an even clearer pattern of a welfare structure that sings the praises of the nation while discouraging recipients from feeling any connection to the nation—a one-size-fits-all style of governance that cultivates, if it doesn't actually breed, anti-social behavior. The French government makes a particularly choice target for schadenfreude: With one hand it fails to make cité residents to feel like full citizens (by, for example, ensuring an Arabic-sounding name is not a barrier to a good job), and on the other it enforces fake national unity on pointless matters (by banning headscarves in public schools). But the pattern repeats itself everywhere the state provides for the basic needs of its outsider groups while standing in the way of their pursuit of happiness.
<snip> http://www.reason.com/links/links111405.shtml
(edit) the links within the linked article are really interesting too - esp. the one on Clockwork Orange style neuro-rehabilitation.... :eek: